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The Tennessee Williams Annual Review

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HIST 1111 - The Silk Road: Cross-Cultural Encounters

Amazon Drive Cloud storage from Amazon. Alexa Actionable Analytics for the Web. Sell on Amazon Start a Selling Account. Following these fields of artistic expression, the course traces a broad trajectory engaging with the formulation of the concepts of the "modern" and the "traditional" in these arts, with a focus on themes such as: innovation and reform, political resistance, revolutionary ideologies, the rural-urban divide, transformations of gender roles, the rise of youth cultures, new religious movements, and reactions to consumerism and globalization. Emphasis on various theories of cinema and spectatorial relations feminist, psychoanalytic, queer and close examination of the representational practices that "naturalize" heterosexual romance in relation to the narrative of "suspense.

Issues studied include: How do we analyze cultural productions, whether our own or those of other societies? What do we learn in comparing texts from different cultures with each other? What is the value of literature, and how do we define it?

  1. The Magic Ring: Systems Thinking Approach to Control Systems!
  2. Writing Talks (Poetics of the New).
  3. When Stories Travel: Cross-Cultural Encounters between Fiction and Film - Semantic Scholar.

How do cultural productions allow us to understand social issues, and to what extent does it contribute to social change? How can we be critical yet ethical producers and consumers of literature and other cultural productions in a world that is increasingly global? The dissemination of the tales and their transmission to other regions of the world including their impact on other cultures as reflected in writing, art, and film. Cross - English / History & Criticism / Literature & Fiction: Books

Singer, Bernard Malamud, and Phillip Roth. Stress on universal cultural patterns and similarities of ethnic experience. Within Arab and Muslim cultural contexts, analysis of how travel literature expresses inquisitiveness at the encounter with a different culture.

Examines how the traveler-writer endeavors to decipher this different culture in the light of her or his own experience and knowledge. Comparison of travel writing from these regions to the genre in other cultural contexts. In English. Examination of how visual experience has been conceptualized. Interpretations from psychology, philosophy, art history, and literary studies.

The goal is to become familiar with fundamental concepts of this capacious interdisciplinary field, and also to develop a precise and flexible vocabulary of one's own with which to address the visual. Specific issues to be addressed across a diverse body of literature, film and art include 1 the fusion of sexuality and romance, 2 love as a problem versus love as an ideal, 3 societal conventions as to so-called proper or normative behavior the various ways hetero-and homosexuality, celibacy, and hedonism have been understood and commented upon in artistic media.

All discussions in English. The structure of fascism and fascist iconography. Begins with fascist tendencies in twentieth-century Europe and Japan and culminates in the present age.

  • When Stories Travel - Cross-Cultural Encounters between Fiction and Film (Electronic book text).
  • Central Library of Shahjalal University of Science and Technology;
  • The Tennessee Williams Annual Review | Journal.
  • Includes the afterlife of the past; violence, destruction, fate, and law; language, literature, and translation; reception of Kant, Marx, and Husserl; childhood and memory; and the uses of theology. May be taken at the level. Focuses on how themes such as sustainability, the toxic discourse, wilderness, biodiversity, nationalism, postcolonial heritage, and the global risk society are negotiated in literature, film, and music. Priority given to Russian and East European materials, supplemented by other European, Asian, and American texts of the 19th and mainly 20th and 21st centuries.

    In his other writings on the SF genre, Delany extols the suggestiveness of sci-fi, drawing attention to the imaginative effort that has to be expended by the reader or viewer to complete the work. Star Wars , in this way, is a narrative fixer-upper.

    Its suggestive structures are so lacking in their particulars that those who watch and want more from the stories can take the narrative up into their own modes of imaginative production. Can this reappropriation ever be seen by the outside? She has with her an ear of ancestral corn, which, it is suggested, will be what allows for the cultivation of life—as opposed to the sterile lab corn defended by the white scientist of the movie. He dies. A creation story has to be told over and over again.

    Reshaping, painting over, literally revoicing the narratives of empire and democracy, Indigenous—and specifically Navajo—transfigurations of Star Wars take us through the complexities of reordering the world and cosmos, even if we cannot escape the paradoxes entirely. Domed settlements and corn crops appear in a red dirt landscape against a red sky at the end of The 6th World : a vision of Mars shot in Monument Valley, on the Navajo reservation.

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